A Tribute to Resistance: Exploring the "Cartoon Ey Bidroho" Exhibition at Drik Gallery

The power of visual art in social movements is profound, and nowhere is this more evident than at the “Cartoon Ey Bidroho” (Revolution in Cartoons) exhibition currently running at the Drik Gallery in Panthapath. Organized by the Bangladesh Cartoonist Association, Drik, and e-arki, this exhibition captures the spirit of the 2024 mass uprising—a revolution where students and general citizens united in resistance, and where cartoons and memes became symbolic tools of protest.

A Resurgence of Cartoonists

The exhibition, curated by ASM Rezaur Rahman, showcases an array of cartoons, installations, and video art that vividly document the mass uprising. Rahman emphasized the historical role of cartoonists in Bangladesh, noting their significant contributions to past movements, such as the 1990s uprising. However, in the years leading up to Revolution 2024, a culture of fear and repression silenced many voices within the cartoonist community. The uprising marked a turning point—a resurgence of young cartoonists who played a crucial role in shaping the narrative of the movement.

As Rahman pointed out, the exhibition not only reflects the past but also serves as a reminder of the significant contributions made by cartoonists as the nation dreams of building a new future.

International and Local Perspectives

The exhibition has drawn visitors from diverse backgrounds, including international guests like Brian Cipperly from the United States. Despite the language barrier, Brian engaged deeply with the cartoons, using Google Translate to understand the text. He was struck by the powerful symbolism and the vital role of cartoons in shaping and reflecting democratic values. His admiration for the student movement that inspired many of the works was evident as he explored the diverse styles and artists showcased.

Local visitors, including students and aspiring cartoonists, found the exhibition both educational and inspiring. Young attendees like Keyaan and Kornika Islam, students at Glenrich International School, expressed excitement about the contrast between the fictional cartoons they grew up with and the reality-based ones on display. Their sketches, tributes to figures in the movement, highlighted the deep connection between art and activism that the exhibition fosters.

A Reflection of Recent History

For many, the exhibition is a poignant reminder of the recent past. Abir Alam Srabon, a Brac University student who actively participated in the movement, described how the exhibition refreshed his memories of those turbulent days. The cartoons, reminiscent of those he used to see in newspapers as a child, had vanished for a time, only to reemerge as powerful tools of resistance.

Freelance artist Shormy Shifiq and photographer Kowshik Azad emphasized the unique power of visual media in social movements. Shifiq found the cartoons deeply inspiring, noting the increased freedom of expression that the movement has fostered. Azad highlighted the ability of visual illustrations, particularly cartoons, to convey powerful messages—sometimes more effectively than any other medium.

A Rich and Immersive Experience

The exhibition goes beyond cartoons, offering a rich and immersive experience. A special section is dedicated to participatory writing and Bangla Hip-Hop music produced during the uprising, adding another layer to the narrative of resistance and unity.